Mediterranean View :: Alicante, Spain © 2002 Joseph Robertson Café Breakfast :: Ramstein, Germany © 2002 Joseph Robertson Orientation, Sublime :: Cochem, Germany © 2002 Joseph Robertson Hibiscus :: Caliraya, Philippines © 1999 Joseph Robertson Paseo marítimo - Cadaqués, Spain © 2001 Joseph Robertson Aurora arquitectónica :: Toronto, Canada © 2000 Joseph Robertson Intimacy :: Fair Haven, New Jersey © 1998 Joseph Robertson Horizons Shared :: Sitges, Spain © 2001 Kevin Clous

Angelsong :: Málaga, Spain © 2002 Joseph Robertson Gamla Stan :: Stockholm , Sweden © 2002 Joseph Robertson Arcos sagaces :: Barcelona, Spain © 2002 Joseph Robertson In Potentia :: Anilao, Philippines © 1999 Joseph Robertson Font of Solitude, Alcázar :: Sevilla, Spain © 2001 Joseph Robertson Temporal Shift :: Manhattan, New York © 1998 Joseph Robertson Voile et poesie :: Paris, France © 1996 Joseph Robertson Calle con mar :: Sitges, Spain © 2001 Kevin Clous

Exploration :: Sitges, Spain © 2002 Joseph Robertson Lush Enclosure :: Girona, Spain © 2002 Joseph Robertson Strolling Timeless :: Girona, Spain © 2002 Joseph Robertson Umbracle :: Valencia, Spain © 2002 Joseph Robertson Routemaster to Golders Green :: London, UK © 2004 Joseph Robertson In Another Life :: Red Bank, New Jersey © 1998 Joseph Robertson Spanish Steps :: Rome, Italy © 1996 Joseph Robertson Plaza íntima y sola :: Sitges, Spain © 2001 Kevin Clous

From the forthcoming collection of essays, Cave Painting...

RESORT TO BEAUTY
ON THE VALUE OF EXPERIENTIAL BEAUTY IN RESOLVING CONFLICT

Beauty, though mysterious, undefinable, even variable according to subjective experience, is woven into every aspect of life and lived experience. Maybe it is the poet's province alone to take on the burden of working this through, seeing it always, being aware of the most menial, severe and terrible beauties. But the poet's work has resonance because it conjures up a latent awareness of improbable charms, hidden among the tortuous threadwork, the causeways of consciousness. [Full Text]

AVEDON'S PREGNANT SELVES:
RICHARD AVEDON'S PORTRAITS AT THE MET

Avedon's work itself seems to be structured around a fundamental 'island place' of individual being. The subject is starkly portrayed, in silence and asymmetry, against the abstraction of a white background. The whole of an individual's life experience seems visible through the features into which he or she has developed by way of that experience. [Full Text]

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