Leaves of Grass :: Walt Whitman

What do you hear Walt Whitman?

I hear the workman singing and the farmer's wife singing,
I hear in the distance the sounds of children and of animals early
in the day,
I hear emulous shouts of Australians pursuing the wild horse,
I hear the Spanish dance with castanets in the chestnut shade, to
the rebeck and guitar,
I hear continual echoes from the Thames,
I hear fierce French liberty songs,
I hear of the Italian boat-sculler the musical recitative of old poems,
I hear the locusts in Syria as they strike the grain and grass with
the showers of their terrible clouds,
I hear the Coptic refrain toward sundown, pensively falling on the
breast of the black venerable vast mother the Nile,
I hear the chirp of the Mexican muleteer, and the bells of the mule,
I hear the Arab muezzin calling from the top of the mosque,
I hear the Christian priests at the altars of their churches, I hear
the responsive base and soprano,
I hear the cry of the Cossack, and the sailor's voice putting to sea
at Okotsk,
I hear the wheeze of the slave-coffle as the slaves march on, as the
husky gangs pass on by twos and threes, fasten'd together
with wrist-chains and ankle-chains,
I hear the Hebrew reading his records and psalms,
I hear the rhythmic myths of the Greeks, and the strong legends of
the Romans,
I hear the tale of the divine life and bloody death of the beautiful
God the Christ,
I hear the Hindoo teaching his favorite pupil the loves, wars,
adages, transmitted safely to this day from poets who wrote three
thousand years ago. [Full Text]

SONG OF THE OPEN ROAD

Afoot and light-hearted I take to the open road,
Healthy, free, the world before me,
The long brown path before me leading wherever I choose.

Henceforth I ask not good-fortune, I myself am good-fortune,
Henceforth I whimper no more, postpone no more, need nothing,
Done with indoor complaints, libraries, querulous criticisms,
Strong and content I travel the open road.

The earth, that is sufficient,
I do not want the constellations any nearer,
I know they are very well where they are,
I know they suffice for those who belong to them. [Full Text]

MIRACLES

Why, who makes much of a miracle?
As to me I know of nothing else but miracles,
Whether I walk the streets of Manhattan,
Or dart my sight over the roofs of houses toward the sky,
Or wade with naked feet along the beach just in the edge of the water,
Or stand under trees in the woods,
Or talk by day with any one I love, or sleep in the bed at night
with any one I love,
Or sit at table at dinner with the rest,
Or look at strangers opposite me riding in the car,
Or watch honey-bees busy around the hive of a summer forenoon,
Or animals feeding in the fields... [Full Text]

STARTING FROM PAUMANOK

Dead poets, philosophs, priests,
Martyrs, artists, inventors, governments long since,
Language-shapers on other shores,
Nations once powerful, now reduced, withdrawn, or desolate,
I dare not proceed till I respectfully credit what you have left
wafted hither,
I have perused it, own it is admirable, (moving awhile among it,)
Think nothing can ever be greater, nothing can ever deserve more
than it deserves,
Regarding it all intently a long while, then dismissing it,
I stand in my place with my own day here... [Full Text]

SONG OF MYSELF

What is known I strip away,
I launch all men and women forward with me into the Unknown.

The clock indicates the moment—but what does eternity indicate?

We have thus far exhausted trillions of winters and summers,
There are trillions ahead, and trillions ahead of them.

Births have brought us richness and variety,
And other births will bring us richness and variety.

I do not call one greater and one smaller,
That which fills its period and place is equal to any.

Were mankind murderous or jealous upon you, my brother, my sister?
I am sorry for you, they are not murderous or jealous upon me,
All has been gentle with me, I keep no account with lamentation,
(What have I to do with lamentation?)

I am an acme of things accomplish'd, and I an encloser of things to be.

My feet strike an apex of the apices of the stairs,
On every step bunches of ages, and larger bunches between the steps,
All below duly travel'd, and still I mount and mount... [Full Text :: 44]

OUR OLD FEUILLAGE

Nativities, climates, the grass of the great pastoral Plains,
Cities, labors, death, animals, products, war, good and evil—these me,
These affording, in all their particulars, the old feuillage to me
and to America, how can I do less than pass the clew of the union
of them, to afford the like to you?
Whoever you are! how can I but offer you divine leaves, that you
also be eligible as I am?
How can I but as here chanting, invite you for yourself to collect
bouquets of the incomparable feuillage of these States? [Full Text]

ORANGE BUDS BY MAIL FROM FLORIDA
& TWO OTHER POEMS FROM 'SANDS AT SEVENTY'

Proof of this present time, and thee, thy broad expanse, America,
To my plain Northern hut, in outside clouds and snow,
Brought safely for a thousand miles o'er land and tide,
Some three days since on their own soil live-sprouting,
Now here their sweetness through my room unfolding,
A bunch of orange buds by mall from Florida. [Full Text]

A SONG OF JOYS

O the joy of my soul leaning pois'd on itself, receiving identity through
materials and loving them, observing characters and absorbing them,
My soul vibrated back to me from them, from sight, hearing, touch,
reason, articulation, comparison, memory, and the like,
The real life of my senses and flesh transcending my senses and flesh,
My body done with materials, my sight done with my material eyes,
Proved to me this day beyond cavil that it is not my material eyes
which finally see,
Nor my material body which finally loves, walks, laughs, shouts,
embraces, procreates... [Full Text]

Amazon.com can ship Leaves of Grass almost anywhere in the world, though shipping charges may vary.

If you would prefer, you may place an order directly with Casavaria. Please make your request by e-mail, and we will furnish ordering, billing and shipping information: editors@casavaria.com